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在加洲沙漠深处的一个警察局，警察带回一个流浪者，流浪者拒绝说话，甚至不愿说出他的名字，他身上没有任何身份证明，只有一些零钱，一张报道当地一个警察英勇事迹的破旧剪报和一瓶药丸。警察以为他有精神问题，召来一个医生，医生鉴别出药丸是给透视人抑制他们透视能力的药物。但是，这个新囚犯用他的透视能力控制了警察的思想并杀死了他们。透视人开着巡逻车逃离。当警官萨姆获知这件事，他马上知道火车上的尸体是谁干的。他开始全面的攻击以捕捉这个无法无天的透视人。。一顆地瓜，在返回的路上... 【導演簡介】 黃亞歷，台灣獨立製片工作者，關注於影像、聲音的聯繫與延伸性。 近年來投身於製作台灣早期相關主題之紀錄片，希望透過歷史的梳理和檢視，探索紀錄片真實的詮釋可能，並反思臺灣與亞洲、世界之間的關係。紀錄長片《日曜日式散步者》 入選2016年鹿特丹國際影展「未來之光（Bright Future）單元。。Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness. (http://www.input2002.com/en/film/24418.html)。