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习本松湖岛一座现代化的别墅内，两个歹徒绑架了日本企业家山本正雄。山本被一容貌姣美的年轻女子救出。此女名叫美真子，她拒绝了山本的厚礼报酬，赢得了山本的好感和信任。 为寻找绑架者，山本的儿子一郎找到日本黑社会组织“山狸组”。后得知父亲去中国投资办厂是为了寻找40年前留在中国的儿子，他非常震惊。 山本携带新任助理美真子来到中国某城市，受到他的合资伙伴中方经理刘抗日的热情迎接。经实地考察．山本将选煤厂厂址选定在老坟洼。就在中日双方举行签字仪式的前夕，山本突然遭绑架。 山本被歹徒带进一报废列车车厢里，他惊讶地看到一郎也参与了绑架活动。一郎不顾父亲的责骂，恳求父亲将他作为唯一继承人。 我公安人员冲进车厢救出了山本，抓获了一郎等人。山本十分感激，说明了他来中国不仅仅是做生意，还有更重要的事要办。原来40多年前他参加了侵华战争。当时他的好友、中国考古学者刘长林被日军杀害，山本埋葬了好友，还在墓中放置了中国北魏年间能预报气象的小金牛。这次来华他要寻找刘长林的坟墓。 为超度亡灵，山本请了日本高僧慧海来主持迁坟仪式，慧海带着众徒围着刘长林的坟墓转圈，僧侣们的幡伞仪仗遮住了人们的视线。慧海快速从墓中取出一黑匣子后即结束了仪式，并立即告辞，美真子也借口相送一起离去。 我警方接到关于“山狸组”头目十兵卫及重要成员来华的通报后严阵以待，经过激烈战斗，终将假扮慧海的十兵卫和他安置的内线美真子擒获，缴获了他从墓中盗走的文物。 刘长林的新墓前，山本将黑匣子中的小金牛交给了刘长林的妻子，刘妻当场决定将它献给国家，并将自己养育大的当年山本留在中国的儿子刘抗日交还给山本，山本深感中国人民的伟大，跪在刘长林墓碑前，向中国人民谢罪。。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。音乐给人精神愉悦的同时，常常会成为人生的支点，这一点对于青年琵琶演奏家、音乐学院硕士研究生季静来说尤为重要。年轻而又美丽的女琵琶演奏家季静正在准备她的琵琶音乐会，这场音乐会对于季静来说不是一场普通的音乐会，这是她生命的最后重彩，是她生命的总结。季静痛苦的秘密，连她的导师雷德清先生和恋人阿桂都不知道。季静正在研读明清著名音乐家汤应曾的音乐古谱《十面埋伏》，这是汤应曾用毕生坎坷重新演绎的汉代古曲，里面包含着汤应曾对死亡的蔑视与崇敬。由于音乐会经费不足，季静不得不疲于奔命。同明朝的汤应曾一样，在世情与音乐间徘徊。汤应曾以生命为代价，重新写出《十面埋伏》，在《十面埋伏》的琵琶曲中，汤应曾在对一个一个死亡的追忆中，悲然死去。季静不愿死去，但死亡不以人的意志为转移。在最后的日子里，她几乎是在与汤应曾的交流中度过的。她在冥冥之中感受着汤应曾的每一次死亡和每一次死亡...。