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冉阿让因为要养活姐姐的小孩而偷面包被捕，20年后出狱。走投无路的他被主教收留，但他却偷了主教的银器。主教逮住他后并没有再次把他送进监狱，反而送给他一座银制的烛台，冉阿让受到感化，从此洗心革面奋发向上，十年后成为小镇镇长和成功的商人。这时，以前缉拿过他的警长沙威出现，一心要找他的麻烦。而他这时已爱上他工厂里的女工芳汀，并应承了照顾她的私生女的重任。一方面是改恶向善的冉阿让，另一方面是相信人一旦失足便终生堕落的警长，两人之间的纠葛与较量推动着全剧的发展。。首届“光合”影视人才圆梦计划是由正午阳光独家发起，腾讯视频独播的优秀短片扶持计划，探寻影视精品内容，助力影视人才成长。经过一年多的赛程，我们从684封投稿中选出了12个团队进入拍摄阶段。克服去年疫情的不安，参赛团队群策群力，在春暖花开之际呈现出类型丰富、题材各异的8部短片。时长均在10-30分钟之间，涵盖青春校园、志怪、科幻、文艺、悬疑、亲情、伦理、古装等类型，多维度探索影像的表达方式，多层次洞察新鲜的艺术手法，给予影像更多的解读空间。 《柜子》导演：刘峥 编剧：袁舟鹂 主演：刘钧 整日想着通过买彩票能一夜暴富的宋波，把自己的家庭弄得妻离子散。他带着女儿送给他的生日贺卡，找到一家十分便宜的出租房住下，没想到出租房里的一个柜子，竟让他着了迷，階人了深渊…… 《神算》导演：张唅贝 编剧：王新宇 主演：陈放 冯兵 邓皓 钱安是镇上赫赫有名的算命先生。一天，一位叫古彪的不速之客上门，意外识破了钱安“神算”的秘密，并將他劫持。古彪胁迫钱安完成一个任务，而这个任务。和另一位叫吴剑的年轻人有关……一切蛛丝马迹在钱安眼前展开，他发现自己这次真的难逃厄运…… 《拉黑结界》导演：谢洁心 编剧：谢洁心 主演：朱丛冉 在2066年，由于环境问题和辐射，人类无法经常出现在室外，开始使用虚拟五感的AI系统，而作为发明者的技术天才费星云，开发了衍生产品“拉黑结界”，却意外遭到了追杀。因为系统bug，他无法看到对方，只知道对方曾在他黑名单中，他必须知道对方是谁才能逃过一劫…… 《岛》导演：戴晓璐 编剧： 戴晓璐 主演：黄米依 佘南南 王一通 十二月，北方的村庄已稍有游客，三十多岁的姑娘小路在一家民宿打工，圣诞节前一天，母亲的意外出现，打破了原本寂静的日常。此时，又闯入一名年轻的日本骑行客Joy，他在民宿的院子里搭帐篷借宿。圣诞夜，他们坐在一起围炉玩牌，逐渐靠近的三人，慢慢流露出内心隐藏的伤痛 《松间明月》导演：刘权文 编剧：刘权文 主演：阳博 张笑君 任祐萱 故事取材自唐人小说《酉阳杂俎》。晚唐，书生与得遇方士山中同行，两人在岸边饮酒等船，书生拿出举荐信，自言平生抱负，方士不以为然。争执之间，书生疑心方士非人。书生借故逃走，慌不择路却发现信件未带，偷回岸边，与方士年斗时见古镜中自己竟是骷髅，大惊。方士解释书生落榜后得知妻子亡故，抑郁难平，最终化身为松鬼。方士超度书生，无言之间松间月明。 《绿灯》导演：唐嘉瑛 编剧：冯妍 主演：曹丹妮 张舒沦 在老房子的一场青春回忆中，许茉对阔别多年的母亲讲起自己与男友萧禾的初恋往事，那时她受压抑于父亲的严格管教，因而被萧禾身上自由和松弛的气质所吸引。父亲缺席了成人礼，许茉与萧禾度过了悠闲半日，如同疾驰于绿灯的生活中的一个惬意的休止符。 《掉头》导演：陶明 编剧：陶明 主演：李梦 袁利国 岳野 谭正 雨天，城东。一群特殊的人共乘一辆出租车、同去一个目的地。他们为了一个善良的彼岸，互相欺瞒又暗伸援手、各怀鬼胎又一致向前。这是一趟“爱与谎言”的旅程，当起点渐行渐远，而终点又看似遥不可及，命运的车轮到底该前进还是掉头。阴郁迷惘的前路、扑朔诡谲的内心，一场是非善悲的较量正在上演…… 《失衡》导演：算 编剧：马天利 主演：江奇霖 周奇奇 老吴遛弯吋被毒蚊子咬了一口，得了歪头病，紧接着整个世界都变得倾斜起来。为了保全老婆孩子，歪头的老吴使出了浑身解数与灾难斗智斗勇。四季更迭，老吴一家终于守得云开见月明，迎来了新生命的诞生…… 我们始终相信影视于人类的意义，也始终相信影像与观众之间交织的力量，是荧屏亮起时涌动的心跳，是寻常日子中短暂的交错。在“光合”的某个故事中，也许你能捕捉到相似的记忆，闹市熙攘或山河田野，曲折离奇或梦幻缱绻，有无所畏惧与不顾一切的迸裂，也有披星戴月或午夜梦回的疏离，让“光合”成为连接我们彼此的梦境，找寻共鸣和感动，获得情绪无限地延续与慰藉。 不啻微芒，沐光而行，邀请你和我们一起，在黑暗中分享梦想，影片就要开始了……。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。