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Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness. (http://www.input2002.com/en/film/24418.html)。张明亮准备婚房，搬东西的时候把墙磕破了，露出一个小洞，这个洞在与妻子白静结婚以后修补了多次但还是无济于事，也就渐渐被忽略了。后来这个洞跟随着他们从两口子变成幸福的三口之家、从贫穷到富有生活的起伏变化，后来也陪伴着不同租客的来来走走。它就像一个镜头记录着多个家庭的悲欢离合，或幸福或辛酸。张明亮、白静从新婚到离婚，墙上的洞从未真正“愈合”过，它静静待在墙上守着住在这里的人，默默观察着他们的生活，仿佛用自己的“残缺”来提醒这房子里的每一个人应该如何去面对生活、面对家人、爱人、孩子……。浑浑噩噩活了三十多岁的陈浩，重生回到了98年。 上一世的他，活的碌碌无为，泯然众人矣，为了生活奔波，受困于金钱，是不折不扣的俗人一枚！ 这一世，陈浩这个俗人，一边创业，一边修真，利用重生后先知先觉！。